Belle Epoque
“Three hundred miles beyond the end of telegraph cables and mail-boat lines, the haggard utilitarian lies of our civilization wither and die, to be...
The Conspiracy Label as a Tool of Propaganda, Part II: The Multi-institutional Politics of...
(A follow-up to Part I: The Conspiracy Label as a Tool of Propaganda, Part I: Origins and Organizations Behind the Conspiracy Label)When my stepdaughter...
Patterns of Deception and Deviance in the Post-Truth Period
“Let no man deceive you by any means …”
— 2 THESSALONIANS 2:3
1. Introduction
Patterns of deception are everywhere and their deeper meanings patently plain....
Spy World
“In fact, it’s too good. It is so good in fact that after I pay the check, I’ll go straight into the kitchen and...
The Real Problem of Disinformation
According to the UK Government, which has set up a dedicated Counter-Disinformation Unit, there is a ‘danger that hostile actors use online disinformation to undermine our...
The Israel Lobby and its influence over British political decision-making
Writing an article on Israel can be perceived as having additional risks to a similar publication made on the critical discussion of any other...
Resuscitating the Comatose: The Defibrillating Fine Art of John Whitehead
Introduction
Michelangelo mastered mannerism, Georges Seurat pointillism, Vincent Van Gogh impressionism, Edvard Munch expressionism, and Pablo Picasso cubism. The multiplicity of movements developed by countless...
David Ray Griffin (1939-2022). The Man and His Work: A Synopsis
How big can a mind be?
If we’re lucky, we have threescore and ten years — in a very big wide world, full of history...
Holiday Funding Drive
Dear Readers,
We have just reached our 100th article published since launching Propaganda in Focus back in May 2022, and our YouTube channel is ready to launch...
Orisanmi Burton’s ‘Tip of the Spear’: a review by Professor Jared Ball
I decenter these duly noted, juridically mediated, and scholastically authorized sources of evidence, focussing instead on “discredited,” “inadmissible,” and “untrustworthy” modes of knowledge, analysis...